48/11
Maria Callas: Reserve me a table at a café where the waiters know who I am
Maria Callas, the world’s greatest opera singer, lives out the final days of her life in 1970s Paris, as she confronts her identity and her life. Angelina Jolie and director Pablo Larraín discuss how they connected with the heartbreaking true story of world-famous opera singer Maria Callas. The third and final film in Pablo Larraín’s female-led biopic trilogy known as “La dama de los tacones” (The Lady in High Heels), following Jackie (2016) and Spencer (2021).
I’m in the mood to be adored
Referenced in Close-Up: Why Do We Need the Venice Film Festival? (2024). Otello Act 4: “Ave Maria” (Desdemona) Performed by Maria Callas, Orchestra of the Société des Concerts du Conservatoire Conductor: Nicola Rescigno Written by Giuseppe Verdi, Arrigo Boito A Warner Classics release, (p) 1964 Parlophone Records Limited Remastered 2014 Parlophone Records Limited Courtesy of Warner Music Group Germany Holding GmbH, a Warner Music Group Company.
The sets are simply stunning and the acting is superb, even by the canine companions
This film is emotionally and movingly crafted and draws me in from the very first scene. Angelina Jolie’s performance is simply outstanding and I firmly believe she deserves an Oscar nomination. Her performance is subtle and nuanced and she gives the best female performance I have seen all year.
This film is definitely worth watching and will undoubtedly move you
The scene in the rain is particularly cinematic and captures the essence of drama and emotion at its finest. I highly recommend this film to anyone who loves opera or is just looking for a thought-provoking and emotionally resonant experience. It’s a beautiful story that explores the final days of a diva’s life, as she battles monotony and a longing for a past she can never get back.